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Characterization and identification of old Camellia japonica L. cultivars growing at the Pazo de Gandarón, Pazo de Lourizán, Soutomaior Castle and at the urban gardens of Pontevedra and Santiago de Compostela (NW Spain)

Salinero M.C.*1, Vela P. 1, Couselo J.L. 1, Sainz M. J. 2, Neves A. 1, González M.1

1Estación Fitopatolóxica do Areeiro, Deputación de Pontevedra, Subida a la Robleda s/n, 36153 Pontevedra, España
2Departamento de Producción Vegetal, Universidad de Santiago de Compostela,
Campus Universitario s/n, 27002 Lugo, España

* Author for correspondence: carmen.salinero@depo.es

Introduction

Ornamental camellias, mainly Camellia japonica and to a lesser extent C. reticulata and C. sasanqua, were introduced in Galicia (NW Spain) in the 18th century. In historic gardens, both public and private, and in the gardens of Pazos, there are ancient camellia trees of unknown cultivars. The ‘Pazos’, manor houses of the Galician nobility, which were built mostly between the 18th and 19th centuries, have in general a large walled estate, which includes, among other areas, a garden with many woody ornamental plants (Rodríguez and Izco, 1995), especially evergreen species, to maintain garden interest for the winter season (Izco, 2008). Some camellias growing in the gardens of the Pazos are included in the Galician Catalogue of Singular Trees (Xunta de Galicia, 2007) by Decree 67/1997 of 22 March, established to protect plant specimens of scientific, aesthetic and/or monumental interest, recognizing its value as cultural heritage. This is the case of Camellia japonica trees growing at the Pazo de Lens-Ames (Ames, A Coruña), Pazo de Santa Cruz (Vedra, A Coruña), Pazo de Torres Agrelo (Redondela, Pontevedra) and Pazo Quiñones de León (Vigo, Pontevedra), a tree of C. reticulata at the Pazo de Oca (A Estrada, Pontevedra) and a tree of C. sasanqua at the Pazo Torres Agrelo, some of them of unknown cultivars.

The Pazo de Gandarón (Pontevedra) was built in 1730-1795. It is believed that its garden was created in the last quarter of the 19th century, beginning then the collection of camellias that it has today, which includes 54 specimens (González et al., 2010). There are a few camellias of known cultivars, among which four specimens of C. japonica cultivars, 'Alba Plena', 'Fimbriata', ‘Pope Pius IX’ (also known as 'Prince Eugene Napoleon') and 'Oranda-kô' stand out; but for most of them only the Camellia species is known. Today it houses the research centre Misión Biológica de Galicia. The identification and characterization of this germplasm is important for knowing and preserving the diversity of cultivars of Camellia species in Europe and to protect them as natural heritage.

The Pazo de Lourizán (Pontevedra) has 54 hectares of garden, estate and woodland. The gardens were created at different stages during the 19th century. Around the house, exotic trees and shrubs were planted in a certain order and bordered by boxwood parterres that edged the walking areas and pathways. It is estimated that some magnolias and camellias (about 300 specimens) that surround the Pazo were planted between 1840 and 1850; these camellias came from the Escuela Práctica de Horticultura de la Caeira (Poio, Pontevedra) and the Estabelecemento Hortícola of Jose Marques Loureiro (Porto, Portugal). In addition, the camellia collection was expanded during the 20th century, with plants from Spanish nurseries and the Moreira da Silva nursery (Porto, Portugal). The Pazo has a large botanical garden, with exotic and native species, established in 1949 under the name of Arboretum, which includes species planted since the 19th century until today. Ancient camellias grow not only in Pazos and manor houses in Galicia, but also in the public gardens and streets of cities.

Soutomaior Castle is an impressive edifice that dates back to the 12th century. With an area of 35 hectares, it has a forest of indigenous species (chestnut and oak trees), a vineyard, pear and apple trees and a botanic park with an area of 6 hectares. This park featuers millennial chestnuts and trees from the five continents, as well as four hundred plants of camellias belonging to 23 species that are a reference for Galician nurserymen and camellia growers and enthusiasts. 

The city of Pontevedra has an outstanding collection of camellias, distributed around the historic gardens and streets of the city as Vicenti Gardens, the Palace of the Diputación de Pontevedra, the Antonio Odriozola Walk, La Herrería Square, the School of Fine Arts, etc. Most were created in the last half of the 19th century, although some of their camellia specimens were planted during the first half of the 20th century. In these gardens there are more than 150 camellias.

In the centre of the city of Santiago de Compostela, between the University Campus and the historic old town, where the cathedral stands out, we find the Alameda Park, which is the most prominent public in the city park and its main lung. Its origin dates back to the Middle Ages, when in the twelfth century the ancient Church of Santa Susana was built, of which today there are only some remnants. The current composition of the park is the result of several enlargements and restorations that have shaped its magnificent architectural and botanical heritage. This garden has 66 camellia specimens planted in different areas.

The aim of this study was to identify and characterize, by morphobotanic descriptors and molecular markers, some historical camellias at the Pazo de Gandarón (5 plants) Pazo de Lourizán (5 plants), Soutomaior Castle (2 plants), the Alameda Park in Santiago de Compostela (13 plants) and some urban gardens in the city of Pontevedra (6 plants). These camellias were compared with 11 reference specimens corresponding to the cultivars 'Bella Romana', 'Clotilde', ‘Dom Pedro II’, ‘Federicci’, ‘Francesco Ferruccio’, ‘Incarnata’, ‘Magnólia Rosa’, ‘Malibran ‘, ‘Prince Eugene Napoleon’, ‘Sangre de Pichón’, and ‘Vilar d'Allen’ (Fig. 1).

 Material and Methods

Thirty-one camellia trees were selected at the historic gardens of Pazo de Gandarón, Pazo de Lourizán, and Soutomaior Castle, and the urban gardens of the cities of Santiago de Compostela and Pontevedra. The identification of species and cultivars was carried out using the information provided by morphobotanic descriptors and, when necessary, by photographic records, drawings and descriptive texts published in catalogues and facsimiles of old books. For the morphobotanic characterization, size and form of each tree, trunk diameter and tree crown diameter of the 31 camellia specimens were measured. For each specimen three layers of foliage (upper, medium, lower) were visually established, and 4 sectors for each layer, collecting samples of leaf and flower in each sector. The final sample per plant consisted of 10 mature leaves and 10 flowers fully developed. The specimens were characterized by 31 morphobotanic descriptors: one of the tree (form), nine of the leaf (length, width, leaf index, petiole length, blade shape, shape of apex, base shape, margin, and blade color) and 21 of the flower (shape and diameter of petals; quantity, margin, colour, colour distribution and venation, and form of external and internal petaloids: presence/absence, amount, disposition and variegation, in stamens: presence/absence, amount, layout, filament colour, anther colour, anther/filament union, anther dehiscence, and androecium/gynoecium relative height). The descriptors were selected from those proposed for C. sinensis by IPGRI (1997), for C. japonica by Corneo et al. (2000) and Salinero and Vela (2004), and from those studied by Luna and Ochotorena (2004) for Theaceae.

Flowers of the reference specimens Fig.Flowers of the reference specimens used for morphobotanical and genetic identification.

The specimens were grouped according to their morphobotanical features.  A reference specimen from the living collection of Diputación de Pontevedra growing at the Estación Fitopatolóxica do Areeiro was assigned to each group and their genetic profiles were compared using DNA microsatellite markers. For genotyping, the DNA was isolated from 50 mg of leaves with the EZNA HP Plant DNA Kit according to the manufacturer protocol (Omega Bio-Tek). A set of eight polymorphic microsatellites developed for C. japonica (Ueno et al. 1999; Abe et al. 2006) and C. sinensis (Freeman et al. 2004; Hung et al. 2008; Zhao et al. 2008), previously tested by Vela et al. (2009), were used. Polymerase chain reactions were carried out on Doppio (VWR) and TGradient (Biometra) thermal cyclers. The reaction was performed in 25 μL total volume containing 50 ng of genomic DNA. Cycling parameters were as follows: 5 min at 95ºC, 35 cycles for 1 min at 95ºC, 45 s of hybridization with corresponding Tm (Vela et al. 2009), 1 min at 72ºC, and a final step of 15 min at 72ºC. The fluorescent dye labels used were 6-FAM, NED, PET and VIC (Applied Biosystems). A volume of 0.1 μL of amplification products was added to 20 μL of formamide and 0.25 μL Genescan-500 LIZ size standard. The mixed solution was denatured at 95ºC for 3 min. The samples were run on an ABI PRISM 310 Genetic Analyzer (Applied Biosystems).  Allele scoring was performed using the Genemapper 4.0 software (Applied Biosystems).

Results and discussion

Table 1 lists some of the main morphobotanic features of the camellia flower that have been used to identify 31 ancient specimens from the gardens of Galicia. It also shows the features of the 11 reference specimens used for identification. All specimens showed morphobotanic characteristics similar to those of the corresponding reference specimens. However, due to the natural variability of the morphobotanic features within a single cultivar and the uncertain origin of the historical specimens, the genetic profiles of all specimens were analyzed using 8 DNA microsatellite loci (Table 2).

Genotyping confirmed the morphobotanic identification of 20 specimens (PP34, MB20, MB45, SC12, SC35, MB30, PP10, PP26, SC17, SC39, L5, L102, L85, BA9, V11, SC4, SC27, MB18, SC13 and SC34) but 11 samples (L78, L84, S04, S116, MB35, SC49, SC5, SC21, SC44, SC63, H9) showed different genetic profiles to the reference specimens and they could not be assigned to these cultivars.

The genotyping has allowed us to differentiate specimens of 14 cultivars of which 8 are known (‘Clotilde’, ‘Dom Pedro II’, ‘Francesco Ferruccio’, ‘Incarnata’, ‘Sangre de Pichón’, ‘Vilar d’Allen’, ‘Prince Eugene Napoleon’) while the other 6 are unknown. The unknown cultivars may correspond to cultivars already registered but not genetically characterized or could be new cultivars originated in the gardens of Galicia that have not been registered yet.

 Table 1. Main morphobotanic features of the 31 specimens of C. japonica from the historical gardens and the reference specimens (Bold). For each specimen, the label and the group that they were initially assigned by morphobotanic descriptors is indicated. The last column shows the cultivar that was assigned to each specimen after the genetic analysis.  Within each initial group, the same genotypes are shaded with the same color. Specimen labels, A: Areeiro, MB: Pazo de Gandarón, L: Pazo de Lourizán, SC: Alameda Park in Santiago de Compostela and PP,H,V, BA: urban gardens in the city of Pontevedra.

Label

 

 

Petals

Cultivar identified

Form

Diameter

(cm)

Amount

Form   of external/ internal petals

Margin

Color   and

distribution

A176

double incomplete

7-9

50-60

rounded/irregular

incised/wavy

background pink, crimson streaks

‘Bella Romana’

L78

double incomplete

7-9

50-60

rounded/irregular

incised

background pink, crimson streaks

-

L84

double incomplete

7-10

45-60

rounded/irregular

incised/wavy

background pink, crimson streaks

S04

double incomplete

7-10

45-55

rounded/irregular

incised

background pink, crimson streaks

S116

double incomplete

7-10

70-90

rounded/irregular

incised/ wavy

background pink, crimson streaks

A87

Semi-double-peony

8-9

40-50

rounded/elliptical

smooth- wavy

white,rosy striped

‘Clotilde’

PP34

Semi-double-peony

8-9

40-50

rounded/elliptical

smooth- wavy

white,rosy striped

L47

double incomplete

7-9

35-40

rounded/rounded    elliptical

notched-incised

white, pink streaks

‘Dom Pedro II’

MB20

double incomplete

7-9

35-40

rounded /elliptical

incised

white, pink streaks

MB45

double incomplete

7-10

40-50

elliptical /irregular

incised

white, pink streaks

SC12

double incomplete

7-10

30-40

rounded/elliptical

notched-incised

white, pink streaks

SC35

double incomplete

7-10

30-40

rounded/elliptical

notched-incised

white, pink streaks

A581

anemone

8-10

20-25

rounded/acuminate and   elliptical

notched

red, white spots

‘Federicci’

MB35

anemone

8-10

20-25

rounded/acuminate and  elliptical

notched

red, white spots

-

SC49

anemone

7-10

20-30

rounded/acuminate and  elliptical

notched

red, white spots

A157

double formal

8-10

90-110

rounded/elliptical

smooth

scarlet, white spots

‘Francesco Ferruccio’

MB30

double formal

8-10

90-110

rounded/elliptical

smooth

scarlet, white spots

PP10

double formal

8-10

90-110

rounded/elliptical

smooth

scarlet, white spots

PP26

double formal

8-10

90-110

rounded/elliptical

smooth

scarlet, white spots

A175

double formal

6-8

80-115

rounded /elliptical - acuminate

incurved-incised

pale dawn pink

‘Incarnata’

SC17

double formal

6-8

80-115

rounded /elliptical- acuminate

incurved-incised

pale dawn pink

SC39

double formal

6-8

80-115

rounded /elliptical - acuminate

incurved-incised

pale dawn pink

L5

double formal

6-8

70-105

rounded /elliptical - acuminate

incurved-incised

pale dawn pink

L102

double formal

6-8

80-105

rounded /elliptical - acuminate

incurved-incised

pale dawn pink

L85

double formal

6-8

75-105

rounded/elliptical - acuminate

incurved-incised

pale dawn pink

A16

semi-double

8-10

15-30

elliptical/elliptical

smooth-incised

uniform pink

‘Magnólia Rosa’

SC5

peony semi-double

6-8

15-30

rounded/elliptical

incise-incurved

uniform pink

-

SC21

peony semi-double

6-9

15-30

rounded/elliptical

incise-incurved

uniform pink

-

MB26

peony

7-10

15-25

oval/elliptical incised

smooth

uniform pink

‘Malibran’

SC44

peony

7-10

10-35

normal-oval/elliptical

smooth-incised

uniform pink

-

SC63

peony

7-10

10-35

normal-oval/elliptical

smooth-incised

uniform pink

-

MB1

double incomplete

8-9

70-85

rounded/acuminate

smooth-incised

uniform red/several stripe

‘Prince Eugene Napoleon’

BA9

double incomplete

7-10

90-110

rounded/acuminate

smooth-incised

uniform red/several stripe

V11

double incomplete

7-10

70-90

rounded/acuminate

smooth-incised

uniform red/several stripe

H9

double incomplete

7-10

90-110

rounded/acuminate

smooth-incised

uniform red/several stripe

-

A174

anemone

8-10

8-10

rounded-elliptical/elliptical

smooth-incised

uniform red

‘Sangre de Pichón’

SC4

anemone

7-10

10-20

rounded-elliptical/elliptical

smooth-incised

uniform red

SC27

anemone

7-10

10-20

rounded-elliptical/elliptical

smooth-incised

uniform red

A22

anemone

9-10

15-20

oval-rounded/

rounded notched

notched

uniform red

‘Vilar d'Allen’

MB18

anemone

9-10

15-20

oval-rounded/

rounded notched

notched

uniform red

SC13

anemone -peony

7-9

10-25

rounded/elliptical

notched

uniform red

SC34

anemone-peony

7-9

10-25

rounded/elliptical

notched

uniform red

 All specimens initially assigned to the cultivars ‘Clotilde’ (PP34), ‘Dom Pedro II ‘(MB20, MB45, SC12, SC35), ‘Francesco Ferruccio’ (MB30, PP10, PP26), ‘Incarnata’ (SC17, SC39, L5, L102, L85), ‘Sangre de Pichón ‘(SC4, SC27), ‘Vilar d'Allen’ (MB18, SC13, SC34) were correctly identified. However, none of the specimens assigned to ‘Bella Romana’ (L78, L84, S04, S116), ‘Federicci’ (MB35, SC45), ‘Magnólia Rosa’ (SC5, SC21) and ‘Malibran’ (SC44, SC63) were properly determined by their morphobotanic features. The specimen H9 was also incorrectly assigned to cultivar ‘Prince Eugene Napoleon’ although BA9 and V11 showed the same genetic profile to the reference specimen of ‘Prince Eugene Napoleon’ (MB1).

 Table 2. Allelic profiles of the 31 specimens of C. japonica from the historical gardens and the reference specimens (Bold). For each specimen, the label and the group that they were initially assigned by morphobotanic descriptors is indicated. The last column shows the cultivar that was assigned to each specimen after the genetic analysis.  Within each initial group, the same genotypes are shaded with the same color. Specimen labels, A: Areeiro, MB: Pazo de Gandarón, L: Pazo de Lourizán, SC: Alameda Park in Santiago de Compostela and PP,H,V, BA: urban gardens in the city of Pontevedra.

Cultivar (morphobotanic descriptors)

Label 

Microsatellite loci described for

C. japonica

Microsatellite loci described for C. sinensis

Final assignment

MF25

MF37

MH38

MH46

R02

CS5

CS11

Z496

‘Bella   Romana’

A176

246

362-368

366-376

467

226-228

222

175

100-114

‘Bella Romana’

L78

246-260

363-371

372-376

461-477

228

206-216

173

110-122

-

L84

246-260

363-371

372-376

461-477

228

206-216

173

110-122

S04

246-260

363-371

372-376

461-477

228

206-216

173

110-122

S116

246-260

363-371

372-376

461-477

228

206-216

173

110-122

‘Clotilde’

A87

248-254

368-379

368-386

465

202-218

222

175-177

110-114

‘Clotilde’

PP34

248-254

368-379

368-386

465

202-218

222

175-177

110-114

‘Dom Pedro   II’

L47

248

362-368

374-376

461-467

226-228

204-214

173-179

110

‘Dom Pedro II’

MB20

248

362-368

374-376

461-467

226-228

204-214

173-179

110

MB45

248

362-368

374-376

461-467

226-228

204-214

173-179

110

SC12

248

362-368

374-376

461-467

226-228

204-214

173-179

110

SC35

248

362-368

374-376

461-467

226-228

204-214

173-179

110

‘Federicci’

A581

248-250

362-373

374

459-465

202-224

204-230

173-175

110-122

‘Federicci’

MB35

250-268

366-373

368-380

465

200-206

200-204

173-175

108-112

-

SC49

250-268

366-373

368-380

465

200-206

200-204

173-175

108-112

‘Francesco   Ferruccio’

A157

250-260

371-373

366-376

459-465

202-224

204-214

175-181

102-114

‘Francesco Ferruccio’

MB30

250-260

371-373

366-376

459-465

202-224

204-214

175-181

102-114

PP10

250-260

371-373

366-376

459-465

202-224

204-214

175-181

102-114

PP26

250-260

371-373

366-376

459-465

202-224

204-214

175-181

102-114

‘Incarnata’

A175

248

362-365

370-376

463-467

226

202

173-175

114-122

‘Incarnata’

SC17

248

362-365

370-376

463-467

226

202

173-175

114-122

SC39

248

362-365

370-376

463-467

226

202

173-175

114-122

L5

248

362-365

370-376

463-467

226

202

173-175

114-122

L102

248

362-365

370-376

463-467

226

202

173-175

114-122

L85

248

362-365

370-376

463-467

226

202

173-175

114-122

‘Magnólia   Rosa’

A16

228-234

346-362

358-360

449-461

202-228

204-224

173-179

112

‘Magnólia Rosa’

SC5

246-248

361-367

368-376

467

202-206

206

173-177

114

-

SC21

250

373

368-376

467

202-206

206-220

173-177

102-114

-

‘Malibran’

MB26

246-264

362-365

376-378

465

202-226

192-222

175-183

108-112

‘Malibran’

SC44

246

360-368

376

465-477

202-228

206

175

108-112

-

SC63

244-246

362

374,376

465

202-226

216-222

183

108-112

-

‘Prince   Eugene Napoleon’

MB1

246-260

362-371

376-384

467

202-226

206-224

173-179

114

‘Prince Eugene Napoleon’

BA9

246-260

362-371

376-384

467

202-226

206-224

173-179

114

V11

246-260

362-371

376-384

467

202-226

206-224

173-179

114

H9

250-260

371-373

366-376

467

202-206

206-216

173-175

114

-

‘Sangre de   Pichón’

A174

248-262

368-371

370

469

202-206

220-230

175-177

102-112

‘Sangre de Pichón’

SC4

248-262

368-371

370

469

202-206

220-230

175-177

102-112

SC27

248-262

368-371

370

469

202-206

220-230

175-177

102-112

‘Vilar   d'Allen’

A22

248

368

370-376

465

202-226

204-230

175

102-114

‘Vilar d'Allen’

MB18

248

368

370-376

465

202-226

204-230

175

102-114

SC13

248

368

370-376

465

202-226

204-230

175

102-114

 

SC34

248

368

370-376

465

202-226

204-230

175

102-114

 

Although the definition of a cultivar refers to morphobotanic features, these results highlight the difficulty of distinguishing many cultivars of C. japonica using morphobotanical descriptors alone. There are many cultivars with distinctive morphobotanic features but in other cases differences in morphobotanic features are unclear so proper identification could be complicated. In addition, some features are significantly unstable within the same cultivar that complicates the identification (Fig. 2). Genotyping is a useful tool for the identification of the cultivars of C. japonica with similar and/or unstable morphobotanical features as the DNA is independent to the phenotype. Currently, the genotyping approaches are used to characterize plants of forestry, agricultural and ornamental interest (Becher et al. 2000), as they complement the morphobotanical characterization of the variety registration and avoid the synonymy. Our results show that they are also a useful tool in the management of historic gardens, especially when the original documentation of the garden project has been lost.

Variability of the cultivar Prince Eugene NapoleonFig. 2  Variability of the flowers of the reference specimen MB1, cultivar Prince Eugene Napoleon

Acknowledgements

This work was funded by Xunta de Galicia (grant PGIDIT03RAG60301PR).

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